Design Credits

The following are projects that I’ve worked on as sole sound designer, composer, or lighting designer.

I primarily specialise in sound, with my design characterised by a contemporary blend of folk, ambient, and electronic instrumentation, with a soft underscoring and incorporation of sound effects and soundscaping throughout. For further enquiries and my design portfolio, please contact me for more information.

  • FLUSH (2025-26)

    Written by April Hope Miller, dir. Merle Wheldon.

    Arcola Theatre, London; Pleasance Courtyard, Edinburgh; Riverside Studios, London.

    Click Here

  • The Mourning After (2025-26)

    Written by Eleni Varon, dir. Frankie Lipman.

    The King’s Arms, Salford; Greater Manchester Fringe 2025.

    Click Here

  • Come Fall In Love: The DDLJ Musical (2025)

    UK Premiere. Book and Lyrics by Nell Benjamin, Music by Vishal Dadlani and Sheykhar Ravjiani, dir. by Aditya Chopra.

    Opera House, Manchester.

    Click Here

  • The Watch (2025)

    Written by Isabella Waldron, dir. Merle Wheldon.

    The Glitch, London.

    Click Here

  • I AM. AM I (2025)

    Created and Performed by Louiseanne Wong.

    Tai Kwun 大館, Hong Kong; Forgotten Angle Theatre Collaborative, South Africa; The Lowry, Salford.

    Click Here

  • Millennial Pink (2025)

    Written and Developed by Girl Gang Manchester, dir. by Megan Griffith.

    HOME Theatre 2, Manchester.

    Click Here

  • Birdwatching (2024-25)

    Written by Madeleine Farnhill, dir. Chantell Walker.

    UK Tour; Edinburgh Festival Fringe 2024; Tanya Moiseiwitsch Playhouse, Sheffield.

    Click Here

  • Ancestral Time Travel Agency (2024)

    Developed by Isabella Leung and Louiseanne Wong.

    Camden People’s Theatre, London.

    Click here